. on Flickr.Via Flickr:
Rolleiflex 2.8F
Kodak Portra 400

. on Flickr.

Via Flickr:
Rolleiflex 2.8F

Kodak Portra 400

. on Flickr.Via Flickr:
Rolleiflex 2.8F
Kodak Portra 400

. on Flickr.

Via Flickr:
Rolleiflex 2.8F

Kodak Portra 400

Individual on Flickr.Via Flickr:
Canon EOS 5D and Nikkor 50mm f/1.2 AI

Individual on Flickr.

Via Flickr:
Canon EOS 5D and Nikkor 50mm f/1.2 AI

The Ancients on Flickr. (2008)
Via Flickr: Asahi Pentax Spotmatic F and Pentax 50mm f/1.4 smc Takumar

The Ancients on Flickr. (2008)

Via Flickr:
Asahi Pentax Spotmatic F and Pentax 50mm f/1.4 smc Takumar

untitled on Flickr. (2007)
Via Flickr: Canon EOS Digital Rebel XTi and Sigma 17-70mm f/2.8-4.5 DC Macro

untitled on Flickr. (2007)

Via Flickr:
Canon EOS Digital Rebel XTi and Sigma 17-70mm f/2.8-4.5 DC Macro

Waiting on Flickr. (2007)
Via Flickr: Canon EOS Digital Rebel XT and Sigma 17-70mm f/2.8-4.5 DC Macro

Waiting on Flickr. (2007)

Via Flickr:
Canon EOS Digital Rebel XT and Sigma 17-70mm f/2.8-4.5 DC Macro

Two of Us on Flickr.Via Flickr:
Yashica Electro 35 GSview large

Two of Us on Flickr.

Via Flickr:
Yashica Electro 35 GS

view large

Vacants on Flickr.Via Flickr:
Super Ricohflexview large

Vacants on Flickr.

Via Flickr:
Super Ricohflex

view large

Tom and Tim on Flickr.
Via Flickr: Werra 3 and Carl Zeiss Jena 50mm f/2.8 Tessar Fujicolor Superia X-TRA 400 … My friends Tim and Tom getting location shots for Tim’s documentary on Baltimore club music. If you recall, from around this time last year, Tim Moreau visited Baltimore (from France) doing preliminary work for his film. You can see a teaser for it here. It’s been a lot of fun showing them around a little and also learning something more about the music scene in this city, which I actually know little about (Baltimore club music has a cult following in France and elsewhere in Europe). I’ll be sure to share more info about Tim’s finished film when he finishes putting it together, so stay tuned! You can also follow Tim’s blog for more on the project (if you can read French :)

Tom and Tim on Flickr.

Via Flickr:
Werra 3 and Carl Zeiss Jena 50mm f/2.8 Tessar

Fujicolor Superia X-TRA 400



My friends Tim and Tom getting location shots for Tim’s documentary on Baltimore club music. If you recall, from around this time last year, Tim Moreau visited Baltimore (from France) doing preliminary work for his film. You can see a teaser for it here.

It’s been a lot of fun showing them around a little and also learning something more about the music scene in this city, which I actually know little about (Baltimore club music has a cult following in France and elsewhere in Europe). I’ll be sure to share more info about Tim’s finished film when he finishes putting it together, so stay tuned! You can also follow Tim’s blog for more on the project (if you can read French :)

Perlman Place, Before and After City-Initiated Demolition by metroblossom on Flickr.
David Schalliol (aka metroblossom on flickr) has this great before/after diptych of Perlman Place in east Baltimore. If you’re not familiar with his work, definitely check it out. He’s captured the changing landscapes of cities throughout the United States. …Via Flickr:Left: April 16, 2010, the first day of demolition Right: November 19, 2011 Yesterday, I talked with two different families about the demolition. Both said that while they were pleased there were fewer derelict buildings on the street to mask criminal activity, they were terribly sad to lose the block.

Perlman Place, Before and After City-Initiated Demolition by metroblossom on Flickr.

David Schalliol (aka metroblossom on flickr) has this great before/after diptych of Perlman Place in east Baltimore. If you’re not familiar with his work, definitely check it out. He’s captured the changing landscapes of cities throughout the United States.




Via Flickr:
Left: April 16, 2010, the first day of demolition
Right: November 19, 2011

Yesterday, I talked with two different families about the demolition. Both said that while they were pleased there were fewer derelict buildings on the street to mask criminal activity, they were terribly sad to lose the block.

Wonderful Strange on Flickr.
Via Flickr: Super Ricohflex Kodak Portra 400 VC
…
I took this back in 2008, when I was first getting into medium format photography.

Wonderful Strange on Flickr.

Via Flickr:
Super Ricohflex

Kodak Portra 400 VC

I took this back in 2008, when I was first getting into medium format photography.

…in the kitchen…
…
Canon EOS 5D and Kiron 28mm f/2

…in the kitchen…

Canon EOS 5D and Kiron 28mm f/2

. on Flickr.Via Flickr:
Yashica Mat 124G
Fujifilm Neopan 100 Acros developed Rodinal (1:50)
…
For those of you who are wondering, this is not a real robot, but one that I drew myself. Originally, this photo had a woman, who I didn’t know, walking through the frame. Today I got a message from her letting me know that she was in the photo. Unfortunately she was “freaked out” by this and asked me to remove the image from flickr, which was kind of disappointing, as I rather liked the photo. Still, I don’t like to upset people and I’ve always wanted to see a real life robot walking the streets of my neighborhood (I’ve seen plenty of robots walking around before, just not where I live), so, using my amazing photoshop skills, I worked this guy flawlessly into the frame to create something that I think is a good compromise. 
…and no, I have never taken an art lesson before! I’m just really really good at drawing robots.

. on Flickr.

Via Flickr:
Yashica Mat 124G

Fujifilm Neopan 100 Acros developed Rodinal (1:50)



For those of you who are wondering, this is not a real robot, but one that I drew myself. Originally, this photo had a woman, who I didn’t know, walking through the frame. Today I got a message from her letting me know that she was in the photo. Unfortunately she was “freaked out” by this and asked me to remove the image from flickr, which was kind of disappointing, as I rather liked the photo. Still, I don’t like to upset people and I’ve always wanted to see a real life robot walking the streets of my neighborhood (I’ve seen plenty of robots walking around before, just not where I live), so, using my amazing photoshop skills, I worked this guy flawlessly into the frame to create something that I think is a good compromise.

…and no, I have never taken an art lesson before! I’m just really really good at drawing robots.

Baltimore (2009)
…
Voigtlander Bessa R4A and Voigtlander Color-Skopar 21mm f/4 (on loan from Tim Castlen)
Fotokemika Efke R50
developed in Rodinal (1:50)

Baltimore (2009)

Voigtlander Bessa R4A and Voigtlander Color-Skopar 21mm f/4 (on loan from Tim Castlen)

Fotokemika Efke R50

developed in Rodinal (1:50)

Baltimore (2009)
…
Voigtlander Bessa R4A and Voigtlander Color-Skopar 21mm f/4 (on loan from Tim Castlen)
Fotokemika Efke R50
developed in Rodinal (1:50)

Baltimore (2009)

Voigtlander Bessa R4A and Voigtlander Color-Skopar 21mm f/4 (on loan from Tim Castlen)

Fotokemika Efke R50

developed in Rodinal (1:50)